British singer Rita Ora released the music video for her latest single, "Body On Me," featuring Chris Brown on Tuesday. The video showcases the two recording artists as apartment building neighbors who meet in an elevator where their mutual attraction creates tremendous sexual tension.

The "Body On Me" music video is gritty and sexy. It begins in an industrial elevator that doesn't seem up to code in a less-than-posh apartment building. Brown enters the elevator and is ready to shut the door when Ora calls out for him to wait, which he does. The elevator begins to move. She clutches a bag of groceries. The two exchange flirtatious glances.

"Don't you live..." he starts to say.

"Across the hall, yes," she interrupts.

The chemistry between the onscreen neighbors ignites instant desire. The elevator releases the pair to their separate apartments where they both obsess over each other.

Ora dances against her apartment door or writhes in unrequited lust on her couch draped with a British flag, as Brown, in his apartment, tries to watch television but is distracted by impure thoughts.

The video delivers a barrage of visual fantasies where Ora imagines Brown's body on hers while Brown, in his apartment, is imagining Ora in his arms. The imagery is sensuous, but nothing beyond PG-13.

The provocative visuals are broken by scenes of Ora dancing half-naked with the British flag wrapped around her.

In what seems an error in the music video direction, Brown and Ora watch each other through their apartment windows, but it was established during the elevator ride that the two live across the hall from each other.

Near the end of the video, Brown taps on Ora's apartment window as he stands on the fire escape. He invites her to go on the roof with him, which she does. The two dance passionately together.

In the final scene, Ora is shown back in the elevator with Brown. Did all of that really happen? Or was it her imagination?