Could Joaquin Phoenix be the next big villain in "Batman vs. Superman?" According to reports, Warner Bros is interesting in hiring the Academy Award nominee for its next major film.
"Lone Survivor" succeeds in honoring its source material and the soldiers that made the ultimate sacrifice to serve their country. While the film is ultimately uneven in its execution, it is bound to leave viewers emotionally drained and with a stronger appreciation of the men and women that risk their lives for the safety of their nation.
"American Hustle" is a display from pure genius from "the feet up." The actors give tremendous portrayals and Russell's intricate script and nuanced direction takes the viewer on a potent emotional journey. At one point in the movie, Rosenfeld takes DiMaso to an art gallery and presents him with what he purports to be a fake painting. He says something to the effect of "It's not so black or white. It's a lot of shades of gray." A more fitting line, especially considering the films that Russell has made in recent years is that his world is not black or white or grey. Its full of different colors.
"The Hobbit: The Desolation of Smaug" is a massive improvement over its predecessor but it is still apparent that Jackson and company (or should we just say Warner Bros) has imposed more material than their original source could handle. The tonal instability that permeated the first film is less apparent in this installment and has allowed for a more visceral overall experience. The quick pace should make this an overall entertaining experience, but those expecting a return to the form of the original trilogy may be somewhat disappointed.
Yes, this is an enormous review and fittingly so considering the work's title character and Carsen's emphasis on indulgence throughout his production. The production is stellar in its attention to detail and in Carsen's ability to fill every single moment with something. Not even the minor gripes in the final act are enough to dissuade one from believing that this is a masterpiece of stage direction. The cast is fascinating in every conceivable way while James Levine's expert hand only adds to the magic of the evening. This "Falstaff" is one of the finest productions of general manager Peter Gelb's tenure and the perfect way to end the 2013 bicentennial celebration of Verdi's immortal genius.
Earlier in 2013, Latinos Post interviewed opera star Lisette Oropesa in anticipation of her performances at the Metropolitan Opera in Verdi's Rigoletto and Wagner's Siegfried. Since that interview, the soprano has engaged in a number of diverse performance opportunities, traveled to Santa Fe for the first time in her life, performed a new operatic role, performed at her Alma Mater and even made her name outside of the world of opera. Oropesa spoke with Latinos Post earlier this week to recap what has been a terrific year and preview her upcoming performances at the Met in Verdi's Falstaff.
It might seem a bit soon to revive a production just months after its premiere, but the new cast makes this "Eugene Onegin" worthwhile in every respect.
When compared with other major tentpole films like "Man of Steel," "Thor: The Dark World," "Iron Man 3," "Monsters University," "Star Trek Into Darkness" and "Pacific Rim," "The "Hunger Games: Catching Fire" undoubtedly tops them all. The film should please fans of the series and first film and potentially lure those willing to give the franchise another chance.
"The Hunger Games: Catching Fire" hits theaters on Friday, Nov. 22. Latinos Post had an opportunity to speak with two of the franchise's new stars Jena Malone and Sam Clafin in anticipation for the film's release. Malone plays the role of Joanna while Clafin takes on the character of Finnick.
Despite the conductor's shortcomings, this revival of "Rigoletto" should not be missed by any means. Hvorostovsky gives arguably the most memorable interpretation of the role at the Met in the last two decades while Lungu adds a dramatic vocal depth to Gilda that is uncommon. Polenzani's beautifully sung Duke rounds out the trio admirably and sets up the audience member for an unforgettable rendition of Verdi's middle period masterwork.
On. Nov. 9 the Miss Universe beauty pageant will be held with 87 contestants competing for the crow. Among them are South Africa's Marilyn Ramos and Tanzania's Betty Omara.
"Die Frau ohne Schatten" is tough on a textual level in that not every symbol or idea will be grasped with facility. However, Strauss' sweeping lyricism as portrayed by Jurowski and the terrific cast coupled with Wernicke's stellar production make attending this opera arguably one of the great events of the Metropolitan Opera's 2013-14 season.
