California Governor Gavin Newsom posted a TikTok video appearing inside a restaurant with celebrity George Lopez at a county where indoor dining is not allowed.
"Spare Parts'" final half hour, arguably its most interesting, is also its most predictable and not until the final epilogue, which details these characters' outcomes, does the viewer actually feel invested in the four teenagers. There is no doubt that the intentions (aside from the horrific McDonald's commercial) are sincere in highlighting the achievement of Latinos. But unfortunately this film offers nothing new that has not been seen before. Clocking in at almost two hours, the movie almost feels like it is being forced down the viewer's throats as a way to make people feel sorry for Latinos rather than celebrate their greatness. Any attempts at cultural authenticity falter because the film relies so heavily on the tired stereotypes to represent its characters. There was certainly a great story here, but the execution is as poor as it gets making "Spare Parts" live up to its title as another throwaway movie.
Music-centric television shows, where impromptu serenades are fluent and power love ballads are frequent, have won the hearts of teens, tweens and Netflix-binging adults everywhere. Star Crazy, produced by George Lopez and penned by the writers from "The Wonder Years" Bob Brush and Mel Harris, is the name of the upcoming hour-long musical drama about a Latina singer who escalates from rags and riches, taking the nation by storm.
Speedy Gonzales, with an exaggerated Mexican accent, somehow strayed away from his animators' racist intentions to become a symbol and an icon to Hispanics in the U.S.
